“Even Steven” (IV)
A homemade movie by John Ebert
Yesterday was a big day for me. I awoke at 3 AM and ran microphones out the back door to the edge of the woods which lie behind the Schoolhouse. This is the time of night when there is only the occasional car which you hear long before it passes. I recorded about 12 minutes of night tone each hour thru 6 Am.
The first hour is deep night and you can hear sounds from the farthest away. These sounds include distant highways which though not audibly understood to be what they are lend a throbbing to the silence which I think will work well in the context of the film. The characters are trying to reach the outskirts of civilization under cover of night. The sounds around them should remind us that they are not quite there. While inside monitoring the recording my cat Irene who used to be quite the all night outside girl was glued to the area around the speakers. Her eyes were very wide and she was listening with ears at attention. Cats kill me.
The second hour brings rise to place. The characters have arrived. This is as far out as they will get. The sounds are wrapped tightly around us as they bounce off the water which is forming in the air. There is an intimacy to this environment which says you might just be able to get away with murder.
Hour three is the return to civilization represented by the rise in sound itself. Bird’s bugs and louder activity in the distance are waking up the world. The secrets of last night are exposed. This day is approaching and you are not the only one here as it seemed. Breaking daylight is visible thru the ears.
In the interim between the three tonal recordings I started the car, broke sticks, did a little singing and smashed three watermelons with a shovel. What fun!
Then it was off to work house building.
After work I had a letter from Anatoly in my inbox. He doubts his own capacity to achieve the type of sound John is after but did send an mp3 which I forwarded to John. It will take quite a leap of faith to go with Tolia for the music of this film. I still cannot help feeling that what he would ultimately bring to the picture would be worth it.
-b
((newstereo))
Yesterday was a big day for me. I awoke at 3 AM and ran microphones out the back door to the edge of the woods which lie behind the Schoolhouse. This is the time of night when there is only the occasional car which you hear long before it passes. I recorded about 12 minutes of night tone each hour thru 6 Am.
The first hour is deep night and you can hear sounds from the farthest away. These sounds include distant highways which though not audibly understood to be what they are lend a throbbing to the silence which I think will work well in the context of the film. The characters are trying to reach the outskirts of civilization under cover of night. The sounds around them should remind us that they are not quite there. While inside monitoring the recording my cat Irene who used to be quite the all night outside girl was glued to the area around the speakers. Her eyes were very wide and she was listening with ears at attention. Cats kill me.
The second hour brings rise to place. The characters have arrived. This is as far out as they will get. The sounds are wrapped tightly around us as they bounce off the water which is forming in the air. There is an intimacy to this environment which says you might just be able to get away with murder.
Hour three is the return to civilization represented by the rise in sound itself. Bird’s bugs and louder activity in the distance are waking up the world. The secrets of last night are exposed. This day is approaching and you are not the only one here as it seemed. Breaking daylight is visible thru the ears.
In the interim between the three tonal recordings I started the car, broke sticks, did a little singing and smashed three watermelons with a shovel. What fun!
Then it was off to work house building.
After work I had a letter from Anatoly in my inbox. He doubts his own capacity to achieve the type of sound John is after but did send an mp3 which I forwarded to John. It will take quite a leap of faith to go with Tolia for the music of this film. I still cannot help feeling that what he would ultimately bring to the picture would be worth it.
-b
((newstereo))